“You love the accidental. A smile from a pretty girl in an interesting situation, a stolen glance, that is what you are hunting for, that is a motif for your aimless fantasy. You who always pride yourself on being an observateur must, in return, put up with becoming an object of observation. […] Ah, you are a strange fellow, one moment a child, the next an old man; one moment you are thinking most earnestly about the most important scholarly problems, how you will devote your life to them, and the next you are a lovesick fool.”

Søren Kierkegaard, Either/Or Part II
littlelimpstiff14u2:

zolloc:

oswra

Got to hand it to Hayden, brilliant !

littlelimpstiff14u2:

zolloc:

oswra

Got to hand it to Hayden, brilliant !

“The notion of ambiguity must not be confused with that of absurdity. To declare that existence is absurd is to deny that it can ever be given a meaning; to say that it is ambiguous is to assert that its meaning is never fixed, that it must be constantly won. Absurdity challenges every ethics; but also the finished rationalization of the real would leave no room for ethics; it is because man’s condition is ambiguous that he seeks, through failure and outrageousness, to save his existence.”

— Simone de Beauvoir, The Ethics of Ambiguity

o by Tulpa

ckck:

Hong Kong in the 1950s, by Fan Ho.

“To will freedom and to will to disclose being are one and the same choice; hence, freedom takes a positive and constructive step which causes being to pass to existence in a movement which is constantly surpassed. Science, technics, art, and philosophy are indefinite conquests of existence over being; it is by assuming themselves as such that they take on their genuine aspect; it is in the light of this assumption that the word progress finds its veridical meaning. it is not a matter of approaching a fixed limit: absolute Knowledge or the happiness of man or the perfection of beauty; all human effort would then be doomed to failure, for with each step forward the horizon recedes a step; for man it is a matter of pursuing the expansion of his existence and of retrieving this very effort as an absolute.”

— Simone de Beauvoir, The Ethics of Ambiguity

West Coast by Lana Del Rey off Ultraviolence (2014)

nevver:

Darkness of the edge of town, Patrick Joust

Chamber of Reflection by Mac Demarco

“The artist and the writer force themselves to surmount existence in another way. They attempt to realize it as an absolute. What makes their effort genuine is that they do not propose to attain being. They distinguish themselves thereby from an engineer or a maniac. It is existence which they are trying to pin down and make eternal. The word, the stroke, the very marble indicate the object insofar as it is an absence. Only, in the work of art the lack of being returns to the positive. Time is stopped, clear forms and finished meanings rise up. In this return, existence is confirmed and establishes its own justification. This is what Kant said when he defined art as “a finality without end.” By virtue of the fact that he has thus set up an absolute object, the creator is then tempted to consider himself as absolute. He justifies the world and therefore thinks he has no need of anyone to justify himself. If the work becomes an idol whereby the artist thinks that he is fulfilling himself as being, he is closing himself up in the universe of the serious; he is falling into the illusion which Hegel exposed when he described the race of “intellectual animals.”

— Simone de Beauvoir, The Ethics of Ambiguity